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Favourite quotes: “Kyss Mig” (2012)

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Oh, those eyes….!
Ruth Vega Fernandez  in “Kyss Mig” (2012).

Elisabeth: So, where is Mia?
Frida: I don’t know. I’ll go and check.
Elisabeth: Take a torch. She might be lost. She’s a city girl.
Frida: She was going to make a call.
Elisabeth: I know she’s a bit hard to approach.
Frida: No, you think so?
Elisabeth: No. But try to be nice, okay? Hey, I know…! Bring a little wine and cigarettes.
Frida: “Try to be nice”? I’m always nice!

Frida: Then, why did you kiss me?
Mia: I don’t know. I just did.

Elisabeth: I told you to have someone look at this car.
Frida: I know, mom, but nagging isn’t going to make the car start!
Elisabeth: No?
Frida: No!

Frida: Why did you kiss me? We can’t pretend it didn’t happen.

Frida: I … can’t… I can’t… stay here. … I had a kebab earlier and I… don’t feel well. I think I’ll take the car and go.
Elisabeth: Kebab? When did you start eating meat?
Frida: Oh, it was one of those… uh… a vegetarian kebab. A vebab.
Oskar: A vebab?
Frida: Precisely.
Lasse: Isn’t the whole point of kebab meat?
Tim: Or tofu.
Elisabeth: That doesn’t sound good at all. But Frida, you’ve had a lot of wine. We’ll call you a taxi.
Tim: I can drive you.
Frida: That’s…
Lasse: Why eat a vebab unless you really want meat. I don’t get that.
Frida: No. Well,… I suppose you can’t understand everything all the time, Lasse.

Frida: But I’ve got to say, your little brother is awesome in bed.
Mia: Jesus! I don’t want to hear that!
Frida: What? He is! mmm…mmm…mmm….mmm!

Mia: (puts on the engagement ring) Now it fits! I’ll never take it off.
Tim: You promise?
Mia: Of course I do.

Elisabeth: Aren’t you going to take her flower inside? She gave you a nice vase.
Lasse: It’s not a flower; it’s an orchid. And it’s been here for 30 years, Elisabeth.
Elisabeth: If you tended your family like your orchids, things would be different.

Elisabeth: Why don’t you ever come and eat with us anymore? Did something happen?
Frida: No.
Elisabeth: Frida, what is it?
Frida: I don’t know how to say it. Mia and I, we…
Elisabeth: Mia?
Frida: Something happened between us.
Elisabeth: “Something”? Can you please try to explain?
Frida: Um… I think… that Mia is bisexual, but I don’t think she wants to acknowledge that.
Elisabeth: What the hell does that mean?
Frida: That I’m in love with her.
Elisabeth: For God’s sake! I asked you to try and be nice to her, not to fall in love with her!

Elisabeth: What were you thinking?
Frida: I wasn’t!
Elisabeth: No, you weren’t!

Frida: I think you lied to me. I can’t be the first girl you’ve been with.
Mia: Yes…! Is it that obvious?
Frida: It is.

Lasse: Are you upset?
Mia: No, I’m not upset.
Lasse: I think you’re upset. Tim, she’s upset, isn’t she?
Tim: She’s definitely upset. Mia doesn’t like not getting what Mia wants.

Mia: I really want to build a house by the sea somewhere. In Andalusia or Catalonia.
Frida: I’d live with you in a shoebox.

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Liv Mjönes (Frida) and Ruth Vega Fernandez (Mia)

Mia: We could live like this, couldn’t we? This is almost like a shoebox.
Frida: I wouldn’t want it to be like this. It’s not real. We’re locking ourselves away from real life.
Mia: It’s hard for me, Frida. I’m not brave like you. I just wish people wouldn’t ask questions.
Frida: I want them to ask questions. I’m proud of you. I want to show the world how much I love you.

Mia: I don’t think I have a choice. This is who I am.
Lasse: Do you think it’s my fault?
Mia: Does it have to be anyone’s fault?

Elisabeth: She needs peace and quiet, Mia. And you’re not what she needs.
Mia: Elisabeth, I’ve made a total ass out of myself. I have nothing left.

Elisabeth: So, it’s OK that my daughter is gay but not Mia?
Lasse: My daughter is not homosexual, Elisabeth.
Elisabeth: You think it’s wrong? Disgusting?
Lasse: Have I said that?
Elisabeth: But it’s not really normal, is it?
Lasse: Well, it isn’t fucking normal, is it? No parent really wants their kid to be a poofter or a dyke, do they Elisabeth?
Elisabeth: So Frida isn’t normal? … Lasse, when Frida came out, it wasn’t easy for me, I’ll admit. But now I’m happy that she is who she is, and that she stands up for who she is. She wouldn’t be my daughter otherwise.

Oskar: Frida, did you cheat on him?
Frida: God! You’re nosy!
Oskar: I know. Did you?
Frida: No, I’ve never cheated and I never will. I think it’s horrible.
Oskar: Same here. Especially with Dad’s indiscretions. Mia says we have Mum’s faithful genes.
Frida: That sounds good.
Oskar: He’s different now he has Elisabeth.

Elin: Are you Mia?
Mia: Can you tell me where she is?
Elin: Over my dead body.

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Biased movie review: “Kyss Mig” (2012)

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The DVD welcome page

Spoilers ahead. Brace yourself: it’s a long one.

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Ruth Vega Fernandez as “Mia”

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Liv Mjönes as “Frida”

 

 

 

 

 

 

I finally saw the much-talked about lesbian movie “Kyss Mig”, a LeBox Production, starring the gorgeous Ruth Vega Fernandez and Liv Mjönes, along with Joakim Nätterqvist, Krister Henriksson, Lena Endre (also collaborator), Tom Ljungman and Josefine Tengblad (producer). The movie is written and directed by Alexandra-Theresa Keining, and director of photography is Ragna Jorming. Music (some) and score is by Marc Collin, and make-up is by Charlotte Wolke.

Why mention so many people behind the camera? Because I absolutely love how the movie is presented and made.

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The DVD bonus page, which is rather sad, actually! Translation: no bonus! Why would we want to see a bunch of unrelated stuff to the movie?! And why can’t they just include all the BTS clips like the Swedish version?!

Technically, the movie is a beautiful one – beautiful people, beautiful scenery and beautifully shot. It has a warm and soft technicolour (whatever that means). The music is not imposing for the most part – very subtle, gentle and enhances the mood of the scene perfectly. And you can tell that ALL the scenes are choreographed, just like those big-budget films – there’s a lot of spot photometry; focus/unfocus in one shot. Ragna Jorming has done a wonderful job – the cinematography is awesome! The movie is mostly shot in Skane and Fyn, and a bit in Stockholm and Sitges.

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After the first kiss: Frida and her hair wondering what the heck has happened

I like the make-up of the characters: very natural; they don’t look like a bunch of burlesque dancers trying to lead a ‘normal’ life in the suburb or countryside. Their hair looks very human too – it ruffles in the wind and gets messy when the characters are emotionally burdened. There is very little sign of a kilo of mousse or hair gel on their heads. Thus, the characters look like one of us, normal human being (but of course, ‘normal’ is relative!). And that, ladies and gentlemen, I like very much! Charlotte Wolke did a fantastic job!

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The magic of movie-making: looking absolutely gorgeous in the morning

The movie itself is rather typical to me – a story about two women who fall in love, have their love challenged, overcome that challenge and then come out of it in one piece, together forever in love. If you’re looking for something “original”, this is probably not the one.

HOWEVER, having said that, I actually like the movie. I would recommend it if you’re looking for a good lesbian movie.

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And their eyes meet

The story is about Mia (Ruth Vega Fernandez) who is engaged and soon to be married to her boyfriend of 7 years, Tim Aaron Bratthall. At her father’s (Krister Henriksson) 60th birthday party, she meets Frida (Liv Mjönes) the daughter of her father’s fiancé, Elisabeth (Lena Endre). That’s when her problems start (and eventual happiness is found). We can identify Mia as reserved and reticent with suppressed emotions, while Frida is free-spirited and out. Mia is seat belt and all, while Frida is tank top and all. That should make a good and satisfying description!

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Three’s a crowd

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Mia and her hair are confused and facing great dilemma

Dialogues are, what I call, minimal. So, when the characters do talk, there’s a lot of substance in the words. Watch for facial expression, eye and body language as well. I personally like movies where there isn’t a lot of talking – emotions need not be expressed in words too much, because as we know, sometimes words are not good enough.

The attention to the small things really makes this movie splendid. For example, we can see at times, Mia flashing her engagement ring here and there, but we know that she’s doing it subconsciously. So, it’s more like a reminder to us (the audience) that she’s engaged while she’s pursuing this love affair. And other things like the button-up shirts, seat belt, wind, sunset, sunrise and even the “vebab” are well placed in this movie.

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Put a ring on it

By the way, you can learn (or be misled) about the Swedish culture from the movie – wine and champaign is part of any meal or no meal, all day/night, and cigarettes are basic necessity in a household. The moment you’re taking a break, you have to light up a cigarette and drink red wine. Remember that the next time you’re visiting Sweden.

Back to the movie.

There are a few sex scenes in the movie. Four, to be precise. The movie opens with a sex scene too! However, I think they are quite modest – nothing too much, but still not safe for children. I thought the sex scenes are well-made though. They are obviously well-rehearsed, with a lot of close-up. I particularly like how the sex scenes are figuratively used to show us the development of Mia’s acceptance of and comfort with her own sexuality. The first one with Tim is shown as stiff, rigid and “yea, I’m doing it because I love you”, but the forth one is hot. Hot but too short, I thought! But perhaps there’s a sense of frustration in that one too! The first sex scene of Mia and Frida together (the second in the movie) is a quiet one. Not even music in the background — just the rustle of the blanket/bed sheet and heavy breathing of the two. And it is a sight to behold! No implants, for sure!

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This is how it’s done – no high heels required

Another scene which I think was very well-made is the swimming scene, where Mia and Frida are frolicking in the water. The gentle music and the cinematography make it sensual and erotic. However, the conversation that follows it kinda kills it. There they are, swimming and frolicking in the water like they want each other and enjoy each other’s company so much. But later, Mia is all like, “Look, I’m not like you!” Huh??!

All in all, I think the movie is great. Josefine Tengblad and Alexandra-Theresa Keining have made a beautiful one, both technically and artistically. It has sensitive direction and fine performances. It is a terrific escapism that will not make you feel dirty the morning after (it’s all relative).

 

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